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"Flight is still left me," replied Trenchard. Carefully abstaining from thrusting against each other, Ann Veronica and her father began an absurdly desperate struggle, the one to open the door, the other to keep it fastened. Then Ramage appeared with effusion, and ushered her into his inner apartment. Baffled in their attempt, the mob uttered a roar, such as only a thousand angry voices can utter, and discharged a volley of missiles at the soldiery. She had never been to the opera before except as one of a congested mass of people in the cheaper seats, and with backs and heads and women’s hats for the frame of the spectacle; there was by contrast a fine large sense of space and ease in her present position. Ann Veronica’s experiences of men had been among more stable types—Teddy, who was always absurd; her father, who was always authoritative and sentimental; Manning, who was always Manning. At first she thought that the woman was just a servant.

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